The Green Table Kurt Jooss

Paulina Milewska Kurt Jooss The Green Table Expressionism can be exposit as a move custodyt in the fine arts that emphasised the expression of inner experience rather than realistic depictal, looking to scram not objective reality, moreover the subjective emotions and responses that objects and compensatets arouse in the artist. some(prenominal) casingistics of expressionism atomic number 18 distortion, exaggeration, primitivism, and fantasy. The Green Table, a b all toldet by Kurt Jooss, 1932, is an ideal recitation of expressionism because it depicts the choreographers personal interpretation of war through the use of movement, medicament by Fritz Cohen and lighting by Hermann Mankard. The Green Table is a erect of performance created close toly by Kurt Jooss, the piece netts thirty minutes in which diametric episodes of war. The first photo introduces the diplomats called The Gentlemen in Black, the second scene The Farewells which rise the divide between the lo ved ones and the soldiers that go off to the war.The third scene is The Battle in which the battle begins and the character Death is taking all(prenominal) of the soldiers one by one, Death is a big part in this scene as it creates a mental image for the audience cover the dreadful times where innocent males were dying due to a diplomatical argument that was created because of the gentlemen in black. The next scenes follow which are The partisan, the refugees, the brothel and men in black once again to figure the never-ending insincere nonsense of the government.The choreography for The Green Table cannot exactly be categorise as one thing or another. Jooss seems to employ two different types of jump one being the traditional ballet, and the other being the novel proficiency. The use of traditional ballet can be seen in the dance of the soldiers with their light and graceful movements, oddly the one carrying the sporty flag. However, the heavier movements of dancers such as Death and the Partisan Woman illustrate modern dance technique similar to movements choreographed by Martha Graham and Doris Humphrey.The fact that Jooss utilizes both of these dance forms demonstrates his alone(p) theories and adds a personal touch to this show. However, movement is not his only nitty-gritty of self-expression. The music accompaniment to this piece comes from one or two pianos which kit and caboodle well with the dance so that neither one overshadows the other. There are no other instruments used, the melody of the piano changes from scene to scene in order to project Jooss emotional responses. During the scenes with the politicians, the air of the piano is light-hearted and almost comedic.The study begins with the politicians in masks that are arguing in a non-naturalistic way employ their postures and gestures for example standing up with masks facing the audience wearing white gloves reaching their hands out with open palms portraying careless emotion. The show ends the same way which gives an impression of Jooss trying to say that in that location go out evermore be arguments between higher statuses that usurpt stand by the general public but they use their powers for their own entertainment. The purpose of this was to show the detachment of these men from the war.They are in a safe situation, unexposed to war and death. When the scene changes and we see whats happening in the lives of citizens, this tune is modify into a thunderous and eerie song that haunts the audience. The reason for this change is to soften Jooss feelings about the unnecessary brutality and death that always comes with a war, and how politicians dont understand the horror of it. In The Green Table Jooss has make almost full use of the dramatic, emotional and pictorial values of light. The most obvious of all contrasts was that between Death and all the other characters.While the full(a) dance seemed to be set in a dark light, it was particularly dark wh en shown on the character representing death. In fact, it had almost a chromatic tint to it. During the scenes when death is not part of the immediate picture there is a large spotlight in the center of the stage where all the dancing takes place, however, the stage is never fully lit. This is in order to portray death, although not always immediately present, as being all most us in a time of war. The dancer of Death is always in the background as a constant reminder and, even when he becomes the main focus, is never illuminated.This represented Jooss unique view because he refuses to acknowledge any positive results that war brings and only sees it ending in death and destruction. The scene with the women of war using the proxemics in a chary way is portraying the other, vulnerable side of the war. The ladies are dancing light and swaying from side to side portraying sorrow and negative emotions. The most main(prenominal) character in that scene is the old lady who is struggl ing to walkway and is leaning forward as well as walking on her tiptoes very lightly show a link with the Death character who is taking her life away.Her way of walking on tip of her toes is showing that she is not standing firmly on earth and living but she is already half way in the spiritual world. This scene shows a great contrast of importance in comparison to the first and last scene. Kurt Jooss piece, The Green Table, is antiwar ballet. Its an example of expressionism because it is a one-sided, emotional performance that uses exaggerate gestures, primitivism, and distortion in order to convey Jooss view on war.