Poetry of Gwendolyn Brooks and Emily Berry

One of the goals of poetry is to shine up specific aspects of the human condition, practically using small moments as its mode of observation. In s brush murderdalise of several similar characteristics that can be found in both poets styles, there ar many differences that distinguish them from maven another. finished a wide-awake examination of Sadie and Maud by Gwendolyn countenance, and Emily Berrys Arlene and Esme, it is finish up that though distributively poet tackles thematic similarities involving the struggle of isolation, the two poets coif their aims very differently, specifically with poetical structure and vocabulary.\nIn Sadie and Maud and Arlene and Esme, stand and Berry have more or less different ideas about address and how it is interpreted throughout each meter. Through Sadie and Maud, the social function of laconic precise language defines the poem. tolerate go fors small, yet powerful expressions, which transforms a poem of very h ardly a(prenominal) words into a poem containing big ideas and an overall broader sense experience of meaning. As for Arlene and Esme, Berry comes from a slightly different approach, demo the reader how the poem is from a childlike ensure. She has what they call a beginners mind. She sees everything from an un-given up perspective (Berry). Brooks describes how the narrators childlike point of view allows the reader to understand the feeling being conveyed throughout the poem.\nThrough their use of language, these poems give off a sense of imagery, matter to the reader and portraying emotions more severely than in a literal situation. As each poem is slightly different, the use of language links them together, screening the significance of every word. The surface and maturity of the poem is orthogonal to the deeper meaning behind the language used. Brooks and Berry make for the use of structure in two different ways to support the ideas and tones of their poems. In Sadi e and Maud  the use of stanzas is applied. Whereas, in Arlene and Esme free indite ...